Articles | Open Access | DOI: https://doi.org/10.37547/supsci-ojp-06-02-24

ARTISTIC-AESTHETIC INTERPRETATION OF THE MUSHOARA TRADITION IN THE WORK “TAZKIRAT USH-SHUARO”

Mohinur Abdurahmonova ,

Abstract

This article analyzes the formation and stages of development of the mushoara genre in the classical literature of the East, in particular, in the Arabic, Persian-Tajik and Uzbek literary environments, in a historical and literary context. It is highlighted with reasonable evidence that this genre, which arose in Arabic literature in the VI-VII centuries AD, developed as an independent artistic phenomenon in Persian-Tajik literature by the IX-XI centuries, and improved in close connection with the genres of classical poetry during the Samanid era. The study draws on the work of Davlatshah Samarkandiy "Tazkirat ush-shuaro" as an important source, and analyzes the examples of mushoara in it from the point of view of poetic, semantic and genre characteristics.

Keywords

poetic competition, artistic thought, irony, semantics, socio-political context, literary process, Samanid era.

References

Abdurahmonov A. Turkiy adabiyotning qadimgi davri. - T.: 2005

Davlatshohi Samarqandiy. Tаzkirаt ush-shuаro.- Xujand: “Noshir” nashriyoti., 2015.B.66

Ma’naviyat yulduzlari .”Markaziy osiyolik mashhur siymolar, allomalar, adiblar”O‘MI Matbuot xizmati

Rahim Vohidov, Husniddin Eshonqulov. O‘zbek mumtoz adabiyoti tarixi.- T.: O‘zbekiston Yozuvchilar uyushmasi Adabiyot jamg’armasi nashriyoti., 2006. B.34.

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How to Cite

Abdurahmonova, M. . (2026). ARTISTIC-AESTHETIC INTERPRETATION OF THE MUSHOARA TRADITION IN THE WORK “TAZKIRAT USH-SHUARO”. Oriental Journal of Philology, 6(02), 170–174. https://doi.org/10.37547/supsci-ojp-06-02-24