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DOI:
https://doi.org/10.37547/supsci-ojp-06-05-03
THE LINGUISTIC REPRESENTATION OF GOOD–EVIL OPPOSITION THROUGH METAPHOR AND IMAGERY IN KHALED HOSSEINI’S NOVELS
Shahram Aslonov ,Abstract
This article examines how the conceptual opposition of good and evil is linguistically constructed through metaphor and imagery in three novels by Khaled Hosseini: The Kite Runner (2003), A Thousand Splendid Suns (2007) and And the Mountains Echoed (2013). The study combines Conceptual Metaphor Theory with a discourse-oriented account of literary metaphor, and applies the Metaphor Identification Procedure to a purposively sampled corpus of evaluative passages in which moral judgement is expressed figuratively rather than named directly. The analysis identifies five recurrent source domains that carry the moral load of the three narratives: light and darkness, vertical space, natural cycles of water and drought, predation and disease, and culturally salient artefacts such as the kite, the wall and the blade. Results show that Hosseini rarely lexicalises moral categories with abstract nouns; instead, goodness and evil are encoded in perceptual imagery, and their evaluative polarity is frequently reversed or suspended within the same image, so that a single source domain serves both poles. The article argues that this internal reversibility, rather than a stable binary scheme, constitutes the distinctive feature of Hosseini’s moral idiom, and that it produces specific problems of equivalence for translators working into typologically and culturally distant languages, including Uzbek. The findings contribute to cognitive stylistics, to the study of Afghan diaspora fiction, and to the description of figurative moral language in literary translation.
Keywords
conceptual metaphor, imagery, good and evil, moral evaluation, cognitive stylistics, Khaled Hosseini, Afghan diaspora fiction, literary translation.
References
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