Articles
| Open Access |
DOI:
https://doi.org/10.37547/supsci-ojhpl-06-03-33%20%20
THE CRISIS OF REPRESENTATION: THE AVANT-GARDE BETWEEN PRIMITIVISM AND THE CRITIQUE OF VISUAL CULTURE
Kamila Saydullayevna Khikmatullayeva , Rukhshona Najmiddinovna Shakhobiddinova ,Abstract
The article examines the transformation of early twentieth-century avant-garde art through the works of Pablo Picasso and Hannah Höch. It explores the use of non-Western imagery as a source of formal innovation and critical reflection. The study highlights a shift from aesthetic appropriation to the deconstruction of visual and ideological structures of representation.
Keywords
avant-garde, modernism, Pablo Picasso, Hannah Höch, representation, colonialism, Dadaism, photomontage.
References
Charle. “Art in Theory 1900 - 2000: An Anthology of Changing Ideas Book.” Courtauld Library. Blackwell Publishing, 1992.
Guillaume Apollinaire, and Peter Read. The Cubist Painters. Forest Row: Artists. Bookworks, 2006.
Harrison, Charles, Paul Wood, and Jason Gaiger. Art in Theory / 1815-1900. Oxford: Blackwell, 2009.
Lavin, Maud. CUT with the KITCHEN KNIFE. Yele University Press, 1993.
Rubin, William. “Primitivism” in 20th Century Art. The Predicament of Culture, 1995.
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Copyright (c) 2026 Kamila Saydullayevna Khikmatullayeva, Rukhshona Najmiddinovna Shakhobiddinova
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